RUDOLF WACKER

Magic and Abysses of Reality

30.10.2024–16.02.2025

Tabs

  • RUDOLF WACKER, Self-Portrait with Shaving Foam, 1924 © MUSEUM ORTNER, Vienna, courtesy Kunsthandel Giese & Schweiger, Vienna | Photo: Alexander Mitterer/Print Alliance
  • RUDOLF WACKER, Still Life with Doll, Candle and Hyacinth, 1925 © Art collection of the state capital Bregenz | Photo: Landeshauptstadt Bregenz/Günter König
  • RUDOLF WACKER, Self-Portrait (with Self-Portrait  and Collage Mrs. Klimesch), 1924 © vorarlberg museum | Photo: vorarlberg museum/Markus Tretter
  • RUDOLF WACKER, Naturalistic Collage (Mrs. Klimesch), 1924 © Private collection, courtesy of Leopold Fine Arts | Photo: Leopold Museum, Vienna
  • RUDOLF WACKER, Ach River Bridge, Bregenz, 1926 © Private collection | Photo: Leopold Museum, Vienna
  • RUDOLF WACKER, Autumnal Bouquet with Brimstone Butterfly, 1937 © Museum Ortner, Vienna, courtesy Kunsthandel Giese & Schweiger, Vienna | photo: Alexander Mitterer/Print Alliance
  • RUDOLF WACKER, Small Sheep and Doll, 1934 © Collections of the Oesterreichische Nationalbank | Photo: Oesterreichische Nationalbank/Graphisches Atelier Neumann
  • RUDOLF WACKER, Still Life with Angel, 1933 © Private Collection Hessen, Germany | Photo: Auktionshaus im Kinsky GmbH, Vienna
  • RUDOLF WACKER, Still Life with Two Heads, 1932 © Belvedere, Vienna, 1934 Widmung Julius Reich-Künstlerstiftung, Vienna | Photo: Belvedere, Vienna/Johannes Stoll
  • KARL EDUARD SCHMALZIGAUG, Rudolf Wacker in the studio, 1938 © Franz Michael Felder Archive of Vorarlberg State Library | Photo: Franz-Michael-Felder-Archiv, Bregenz/Markus Tretter
  • RUDOLF WACKER | Teaser

The catalogue is available in the Leopold Museum Shop.

RUDOLF WACKER, Broken Doll's Head, 1932 (detail) © Private collection | photo: Leopold Museum, Vienna

From late October, the Leopold Museum is dedicating a comprehensive exhibition to Rudolf Wacker (1893-1939), one of the most eminent exponents of New Objectivity in Austria. Wacker studied in Vienna and Weimar under Albin Egger-Lienz. During World War I, he was captured as a prisoner of war in 1915. Upon his release in 1920, he tried to forge a career in Berlin and Vienna, before he returned to his hometown of Bregenz with his wife Ilse Moebius in 1924. His oeuvre focused on landscapes and backyards, self-portraits and female nudes, but also on random items found by the artist which he incorporated into his works in ever new compositions. In light of the era’s increasingly volatile political situation and frequent breaches with social taboos, his works can be read as encrypted messages. Featuring numerous loans from institutions and private collections, the presentation affords a comprehensive overview of Wacker’s multi-faceted painterly and graphic oeuvre, complemented by reference works by artists such as Otto Dix, Franz Lenk and Anton Räderscheidt.

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DIGITAL EXHIBITION

 


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